Thursday, April 11, 2019

“How To Understand Benefic Lines In Ashtaka Varga?” – an article written by Vishal Aksh


Vishal Aksh
(Astrologer, Writer, Researcher, Thinker & Philosopher)
(1) Any Planets occupying benefic lines from 0 to 8 gives the results in accordance with those already written in various standard books containing the Chapter on Ashtaka Varga. Below written is what which is based on my understandings & researches on Vedic Jyotish:

(i) 8 Benefic Lines: That Planet can be equated to Exaltation and it remains in Higher Esteem  

(ii) 7 Benefic Lines: The Planet behaves like that in its Own Sign with too many Assets

(iii) 6 Benefic Lines: The Planet gives you what if it occupies the sign of its Intimate Friend

(iv) 5 Benefic Lines: The Planets feels as if it is in Friendly Atmosphere

(v) 4 Benefic Lines: The Planet dwells in Neutral Zone

(vi) 3 Benefic Lines: The Planet is in its Foe’s Camp.

(vii) 2 Benefic Lines: The Planet is Caught by its Intimate Foe

(vii) 1 Benefic Line : The Planet is idle and depressed as being in the state of debility

(viii) 0 Benefic Line : The Planet loses its Glow and Power  

(2) What has been written under (1)/(i) to (1)/(viii) applies to the number of Benefic Lines occupied by any Planet in its Bhinnashtaka Varga of various Shodasvarga Charts also  

(3) Any Planet if it occupies its Exaltation Sign/Own Sign in Concerned Divisional Chart of Shodash Varga is powerful even it occupies a sign having less than 4 benefic Lines

(4) Any Planet having less than 4 Benefic Lines attains power provided it receives the Aspect of a Natural Benefic like Jupiter, Yamakantaka, Venus, Mercury, Ardhyama or Moon or a Yogakarka Planet. This applies in Concerned Shodash Varga Chart also

(5) Any Planet having more than 4 Benefic Lines becomes powerless provided it receives Aspect of Natural Malefic Planet like Saturn, Gulika, Maandi, Mars, Mritu, Sun, Kaalbela, Rahu or Ketu or a Marka Planet. This applies in Concerned Shodash Varga Chart also


Written on Thursday, April 11, 2019 at 07:51 (IST) by
Vishal Aksh






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